爱与罚
민주당, '장동혁 취임 1주년'에 "남은 건 극우 선동과 윤어게인 뿐"_我的网站
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Yang Ni, a villager from Yuanqiao in Dengfeng, Central China's Henan Province, still remembers the nervous excitement of facing a slowly advancing camera for the first time. Now, she shifts with ease between roles, from a maidservant trailing a heroine in a historical drama to a famine-struck villager before the People's Republic of China was set up in 1949.
Experiencing so many lives within various screenplays, Yang said that short dramas have transformed not only her life, but also the ancient village she calls home.
Yuanqiao, a small village with a history that traces back over 600 years, has welcomed more than 70 short drama crews in recent years. The creators have captured every angle of the village's traditional courtyards, winding alleys, and gently rising cooking smoke. Locals have grown used to exchanging their daily farm clothes for costumes between busy seasons, giving life to lively townsfolk on vertical screens.
Yuanqiao village's revitalization is not just a story told through the camera lens. Si Jianbin, responsible for short drama coordination in the village, told the Global Times that the changes brought by short drama filming are visible in many ways.
With traditional buildings serving as natural film sets, once-abandoned houses, crumbling village walls, and old opera stages have been repaired and preserved. This has renewed villagers' sense of cultural stewardship. The arrival of drama crews has also broadened job opportunities for local youth; more young people are now choosing to stay or return home, breathing new life into the village.
Si noted that challenges also persist. The swift rise of AI-generated dramas is reducing demand for real-life shoots, and the number of visiting productions in the village has started to drop. Still, Si remains confident, noting that the village's authentic architecture meets the growing demand for high-quality short dramas. He said that leveraging this unique match will secure a promising future for revitalizing rural areas through film.
Changed villages
"For years, I only saw our old houses as broken-down obstacles; after filming, I realized every brick and tile is our cultural heritage," Yang said. Having played a background actor in numerous dramas - from period pieces to modern stories - she and her neighbors now see their ancient city walls, opera stages, temples, and homes through new eyes.
Some once-vacant houses have found new purpose as meticulously arranged sets, bearing witness to love stories or family feasts. One courtyard, frequently appearing in short dramas, is adorned with red lanterns and paper cuttings to express joy. Villagers redecorate it for shoots, blending cheerful ambiance with authentic period feel.
Today, Yuanqiao's residents - all from toddlers to seniors, even family donkeys and dogs - have become "stars" on camera. People farm during the busy season, then slip into costumes to perform, seamlessly shifting between fields and film sets.
Younger villagers have found new skills and work too. Si noted that more than half of local youth have acted as extras, with some job-seeking college graduates now learning editing and computer skills from the drama teams, opening the door to steady work in short film production.
The economic benefits for the village are clear. Si pointed out that village income grew from 4 million yuan ($593,330) in 2024 to over 5 million in 2025, a 20 percent of increase thanks to short drama filming. Most villagers have seen their annual incomes rise by around 5,000 yuan as a result.
Traditional crafts once on the verge of disappearing - such as paper-cutting and basket-weaving - are also reviving. Villager An Qing'e, known for her hand-woven flower baskets, was discovered by a filming crew and soon found online customers for her props.
Tourists, too, are seeing the village in a new light, as site visiting becomes an immersive experience. They are no longer fleeting passersby, but participants in the living stories of the ancient village.
The sets created for filming repurpose historical spaces, allowing visitors to step into the joys and sorrows of different eras.
This phenomenon is not limited to Yuanqiao village. The unique needs of rural and historical short dramas perfectly match the spaces and cultural resources of China's villages. Other places, such as Hujiaxi in Yuanling county, Central China's Hunan Province, and Nanhu in Jinyun county, East China's Zhejiang Province, are attracting drama crews and experimenting with a rural revitalization approach combining short drama with agricultural and cultural tourism.
Seeking the irreplaceable
Still, the path for rural short dramas is being tested by the realities of the market.
The rise of AI-generated content is quickly diverting orders away from real-location shoots. Si said that after peaking at 35 crews in 2025, the number shrank to one or two per month in Yuanqiao village by 2026.
Even so, Si sees a hopeful future. While AI short dramas win on low-cost virtual settings, China continues to encourage the creation of well-crafted real-life dramas through supportive policies.
There is a lasting appeal in the atmosphere, sense of history, and human vitality that only real villages can provide - qualities virtual images cannot match. As audiences and studios increasingly seek authenticity and quality sets, villages like Yuanqiao have lasting room to grow.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that the rise of AI-generated short dramas is reshaping the industry. However, this does not mean villages will lose out on the benefits brought by filming. On the contrary, when the bubble fades, truly valuable villages may be in even greater demand.
Their core competitiveness is not just cheaper venues, Zhang explained, but their unique local culture, authentic lifestyle, and the fusion of online and offline tourism experiences.
"To keep these benefits, villages should not compete with AI on cost and efficiency," Zhang noted. "Instead, they must redefine their own irreplaceability in the production chain."
Ding Daoshi, a veteran internet analyst, offers a word of caution: short dramas change fast, and their impact rarely lasts as long as movies or TV series. For villages, the key to sustainable development is leaning on their unique heritage and not just short dramas.
By finding their own irreplaceable assets and combining them with the energy of film, they can secure their future for the long haul.
。 박성준 "장 대표, 길바닥에서 선동 정치 일삼아"이용우 "징계, 줄세우기로 장동혁 사당만 남아" 장동혁 국민의힘 대표가 26일 오후 서울 여의도 국민의힘 중앙당사에서 당대표 취임 1주년 기자회견을 하고 있다. ⓒ데일리안 홍금표 기자[데일리안 = 김민석 기자] 더불어민주당이 취임 1주년을 맞은 장동혁 국민의힘 대표를 향해 "장동혁 체제 1년, 남은 건 극우 선동과 윤어게인 뿐"이라고 비판했다. 특히 6·3 지방선거 과정에서 불거진 투표 용지 부족 사태에 집중한 장 대표의 모습을 '길바닥 선동정치'로 규정하며 "대한민국 정치에 보수와 야당이 실종됐다"고 날을 세우기도 했다.박성준 민주당 수석대변인은 26일 서면 브리핑을 내어 "장 대표는 극우세력 음모론에 편승해 국회는 내팽개치고 길바닥에서 선동정치를 일삼았다"면서 "연일 망언을 일삼는 이진숙, 김태규 의원 같은 윤 어게인 세력을 공천해 국회를 '윤 어게인의 놀이터'로 만들었다"고 비판했다.박 수석대변인은 "장 대표는 반대파에게는 윤리위원회라는 칼을 휘둘러 숙청 정치를 이어가고 있다. 대한민국 정치에 보수와 야당이 실종됐다"며 "아직 장 대표에게는 1년이라는 시간이 남아 있다. 제1야당으로 본연의 역할을 다해달라"고 촉구했다.이용우 민주당 대변인도 이날 국회에서 브리핑을 열어 "장 대표의 1년은 민심과 함께하는 보수의 새 길은 없고 윤어게인 뿐이었다"고 평가 절하했다.이 대변인은 장 대표의 취임 1주년 기자회견문을 거론하며 "장 대표가 '국민 속으로 들어가 민심과 함께하는 보수의 새 길을 찾겠다'고 공언했는데 지난 1년간 장 대표의 행보는 민심과 거리가 멀었다. 장 대표가 서 있던 곳은 민생의 현장이 아닌 부정선거 음모론이 판치는 현장이었다"고 지적했다.이어 "‘이재명 정부에게 내란 몰이를 당했다'고 말했지만, 실제로는 윤어게인을 선언하며 내란을 옹호했고 보수 쇄신은커녕 극우 세력과 밀착했다"며 "장 대표가 그토록 요구했던 잠실 올림픽공원 투표소 재검표 역시 국민의힘의 몽니로 하염없이 미뤄지고 있다"고 꼬집었다.그러면서 "1년 간 국민의 삶을 챙기기보다는 정치적 갈등과 음모론에 매달리는 모습만 반복적으로 보여줘 국민을 대표해야 하는 공당은 증발했고, 징계와 줄세우기를 통한 '장동혁 사당만 남았다"며 "국회 안에서 민생을 논의하고 대안을 모색하는 책임있는 자세를 촉구한다"고 목소리를 높였다.앞서 장 대표는 이날 오전 서울 여의도 국민의힘 중앙당사에서 취임 1주년 회견을 열고 "이재명 정권이 대한민국을 무너뜨리도록 그냥 놓아둬선 안 된다"며 "2028년 총선에서 과반 승리를 거둬야 한다. 반드시 정권을 탈환해야 한다"고 강조했다.장 대표는 "지금 대한민국은 독재의 마지막 문턱에 있다"면서 "이재명 독재의 문을 열 재판 취소와 연임 개헌 시도를 국민과 함께 반드시 막아내겠다"고 덧붙였다.。
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